The Best Written Words For The Worst Shitty Days: “Foursquare Poem”

Foursquare Poem by Fernando Pessoa

image

I’ve never known anybody who’s had the crap beaten out of them.

All my aquaintances have been champions in everything.

I, so often shabby, so often swinish, so often vile,

I, so often, unforgivably, a parasite.

Inexcusably filthy I,

Who so often haven’t had the patience to shower,

I, who so often have been ridiculous, absurd,

Who have publicly wiped my feet on etiquette’s tapestry,

Who have been grotesque, paltry, servile, and arrogant,

Who have silently suffered besmirching

And when I haven’t been silent, have been even more ridiculous;

I, who have been a clown for chambermaids,

I, who have felt the winks of stevedores,

I, who have been fiscally embarassed, who have borrowed and forfeited,

I, who when the time for blows arises,

Have recoiled in advance of the possibility of blows;

I who have suffered the anguish of ridiculous little things,

I declare that in all the world I am without par.

Every one I know who speaks to me

Never did a ridiculous thing, never suffered besmirching,

Was never anything but a prince — all of them princes — in life…

If only I could hear another human voice

Confess not sin, but disgrace;

Confess not violence, but cowardice!

No, they’re all The Ideal, to hear them tell it.

Who in this great world will confess to me that even once they were vile?

O princes, my brothers,

God damn it, I’m fed up with semi-gods!

Where are there people in the world?

Am I the only vile and errant one on earth?

Women may not have loved them,

They may have been betrayed — but ridiculous, never!

And I, who have been ridiculous without being betrayed,

How can I speak to my superiors without reeling?

I who have been vile, literally vile,

Vile in the most paltry and infamous meaning of the word.

The Best Written Words For The Worst Shitty Days: Poem “Cause And Effect”

Cause And Effect by Charles Bukowski

image

the best often die by their own hand

just to get away,

and those left behind

can never quite understand

why anybody

would ever want to

get away

from

them

The Best Written Words For The Worst Shitty Days: Poem “This Be The Verse”

This Be The Verse by Philip Larkin

image

They fuck you up, your mum and dad.
  They may not mean to, but they do.
They fill you with the faults they had
  And add some extra, just for you.

But they were fucked up in their turn
  By fools in old-style hats and coats,
Who half the time were soppy-stern
  And half at one another’s throats.

Man hands on misery to man.
  It deepens like a coastal shelf.
Get out as early as you can,
  And don’t have any kids yourself.

                              ***

*It is important to note that these verses were composed in iambic tetrameter!

AL 

From the book “High Windows” published by Farrar, Straus & Giroux (c) 1983.

All rights reserved

The Best Written Words For The Worst Shitty Days: Poem “Me and Her Outside (No No Man)”

Poem Me and Her Outside (No No Man) by Steven Jesse Bernstein

It is midnight and the sunglasses twirl
my injuries a deaf plant warped
in a Hollywood rockery
of juice cans and hypodermic needles
You’re so cool baby you don’t know what you need
If the jaundice comes up
get out of the traffic.

A girl with an ass that makes me hurt
all over again
I know that girl’s ass hurts
glass and pebbles crunching under her shoes.
The movie goes on and the men go inside
hiding their bottles
These men look confused
like fish getting clubbed on the pier;
what they see in there is better than me.

Pick a needle out from the burnt matches
and test it
blow through it
make a little bubble
There’s the whazoo of the strip
put it in with the dust
In the pocket the cigarettes the key
the muffled bottom of the storm
Pull down my eyelids with my fingernails
in a window not made to look in or out of
or to be used as a mirror
though it works as a mirror
There is a yellow line it is jaundice
There is not a yellow line
It is not jaundice
No
The ass that makes me hurt
made to make me hurt
turns
showing breasts that make me hurt
but a face like a butcher board
eyes smeared on
worn out red elastic mouth
the mouth of a sock
waiting to get used

hurts
is a tender thing in the dark
under the shorts
leaky pelvis all over the sheets
Yo baby gotta no-no?
No no-no.
Sick animal glare in skin of the pavement
Oh I do wanna go down right here where
they threw the mop head
the paper towels and rubbers
Gotta no-no whistle is all
Can’t make music with that.
Movie inside is big as the wall of a
building and so bright it’d make you
throw up

but they watch it
the men
and they eat
and drink
and eat
and drink.
Actually it is not just
the two of us
her and me
There are the cops
and me and her
in the good for nothing windows
and brown suits and grey suits and
blue suits
cars that stop and ones that go
There are palm trees
and people leaning on the palm trees
scratching reading looking at the trash
which is empty (believe me) from being
looked at

And gargoyles of human beings
hung on the ugly architecture
of wobbling lurching bodies
coming down fast
like dying empires
after the sun is already
dead in their eyes

Rooms full of spooks drunk
on dish soap
spiked with whatever was left
on the tables
when the bar closed
An animal over there with
spotted pants
dreams Google plex like
the chopped up palm
and the broken wall
and is just lost, oh my god
moving like a range of
dusty mountains
dead with nothing
to hold it down
moved by earthquake or
rain that swallows
the stars and moon

Get out of the way off the curb
He pukes in the garden and slams
sideways into the stucco
What are the cops waiting for here
lined up in their cars staring
at their clipboards and microphones
We got some people
scratching themselves,
a man looking at his eyeballs
up under his shades
and a woman with a poochy ass
who keeps turning around and around
Find the hurt place and don’t ever
let it heal

Get that fucker hanging on the wall
and tear him loose

The stars are coming out
There is a tv set in a window
it says
“the stars are coming out”
look up in the brassy sky and
there they are
like gloomy pocket change
you bet on something
you wish you had ten thousand
to bet on
something where
the odds are good
Betting all those stars
you don’t win shit
not even a dollar
And there is a movie
and another movie
At least she is not ugly
really
And she shares you know
Or if something wrong happens
you know
she will…

You are asking me now if this is
the whole world
and I am saying it is
Check your own fucking eyes
Doesn’t it hurt looking down the
sidewalk at night
If that mountain falls on me it’s
gonna get you too
and the cops squashed in their
cars gurgling
into their dead microphones
an ocean of mud.
I had a girlfriend
and I never had a car
new jeans that I wore and wore
and I was not good with the plans
because no one
could’ve planned it like this
But then the same
you might say
is true of whoever
is responsible for history,
and a wide black belt
and all sorts of hats

The stars were much more valuable
when I was a boy
Now it is just
what the no-no man wants
that is valuable
which is green and covered with fingers
What the woman turning and twisting
sees in the night of pockets on the floor
while she hides only those parts of
her nakedness
too scarred to look at.
Let’s pretend she is
my girlfriend for now
and she is doing that sidewalk dance
just for me
and there is no pain in her breasts
and our bodies are not battle zones
the stars are worth a fortune
you don’t have to look at tv to know
I got a little cigar
and I can hear the music
it’s playing right outa that door
There’s a man and he’s smiling
remembering

“Why don’t you kids go down
to the beach where it’s dark”

and we get on the bus and there’s
nobody else

And outside the palm trees
the houses and lights
Shit what world is that
Don’t ask me to remember that
I got a runny nose
and the ticket taker
looks from one to the other of us
then to the black and whites
bites a sandwich in hate

The bite that sets
the universe in motion
A dog
A man covered with
fortune telling signs
Two in white coveralls
Three clean women
getting out of a car
going into a door
One of the cops looks at me
and I shake my head “no”

                                                           ***

From the book More Noise Pleasepublished by Left Bank Books (c) ‘91.

All rights reserved

The Best Written Words For The Worst Shitty Days: Poem “Walking Around”

Poem Walking Around by Pablo Neruda

It so happens I am sick of being a man.

And it happens that I walk into tailorshops and movie

houses

dried up, waterproof, like a swan made of felt

steering my way in a water of wombs and ashes.

The smell of barbershops makes me break into hoarse

sobs.

The only thing I want is to lie still like stones or wool.

The only thing I want is to see no more stores, no gardens,

no more goods, no spectacles, no elevators.

It so happens that I am sick of my feet and my nails

and my hair and my shadow.

It so happens I am sick of being a man.

Still it would be marvelous

to terrify a law clerk with a cut lily,

or kill a nun with a blow on the ear.

It would be great

to go through the streets with a green knife

letting out yells until I died of the cold.

I don’t want to go on being a root in the dark,

insecure, stretched out, shivering with sleep,

going on down, into the moist guts of the earth,

taking in and thinking, eating every day.

I don’t want so much misery.

I don’t want to go on as a root and a tomb,

alone under the ground, a warehouse with corpses,

half frozen, dying of grief.

That’s why Monday, when it sees me coming

with my convict face, blazes up like gasoline,

and it howls on its way like a wounded wheel,

and leaves tracks full of warm blood leading toward the

night.

And it pushes me into certain corners, into some moist

houses,

into hospitals where the bones fly out the window,

into shoeshops that smell like vinegar,

and certain streets hideous as cracks in the skin.

There are sulphur-colored birds, and hideous intestines

hanging over the doors of houses that I hate,

and there are false teeth forgotten in a coffeepot,

there are mirrors

that ought to have wept from shame and terror,

there are umbrellas everywhere, and venoms, and umbilical

cords.

I stroll along serenely, with my eyes, my shoes,

my rage, forgetting everything,

I walk by, going through office buildings and orthopedic

shops,

and courtyards with washing hanging from the line:

underwear, towels and shirts from which slow

dirty tears are falling.

The Best Written Words For The Worst Shitty Days: Poem “21”

Poem 21 by Bob Dylan

death silenced her pool

the day she died

hovered over

her little toy dogs

but left no trace

of itself

at her

funeral

                                               ***

The above text is reproduced from the original article published on The New Yorker Magazine in their September 22, 2008 issue. Credit where its due.

All rights reserved

The Best Written Words For The Worst Shitty Days: Short Story “Today Will Be A Quiet Day”

“I THINK IT’S the other way around,” the boy said. “I think if the quake hit now the bridge would collapse and the ramps would be left.”

He looked at his sister with satisfaction.

“You are just trying to scare your sister,” the father said. “You know that is not true.”

“No, really,” the boy insisted, “and I heard birds in the middle of the night. Isn’t that a warning?”

The girl gave her brother a toxic look and ate a handful of Raisinets. The three of them were stalled in traffic on the Golden Gate Bridge.

That morning, before waking his children, the father had canceled their music lessons and decided to make a day of it. He wanted to know how they were, is all. Just—how were they. He thought his kids were as self-contained as one of those dogs you sometimes see carrying home its own leash. But you could read things wrong.

Could you ever.

The boy had a friend who jumped from a floor of Langley Porter. The friend had been there for two weeks, mostly playing ping-pong. All the friend said the day the boy visited and lost every game was never play ping-pong with a mental patient because it’s all we do and we’ll kill you. That night the friend had cut the red belt he wore in two and left the other half on his bed. That was this time last year when the boy was twelve years old.

You think you’re safe, the father thought, but it’s thinking you’re invisible because you closed your eyes.

* * *

This day they were headed for Petaluma—the chicken, egg, and arm-wrestling capitol of the nation—for lunch. The father had offered to take them to the men’s arm-wrestling semi-finals. But it was said that arm-wrestling wasn’t so interesting since the new safety precautions, that hardly anyone broke an arm or a wrist any more. The best anyone could hope to see would be dislocation, so they said they would rather go to Pete’s. Pete’s was a gas station turned into a place to eat. The hamburgers there were named after cars, and the gas pumps in front still pumped gas.

“Can I have one?” the boy asked, meaning the Raisinets.

“No,” his sister said.

“Can I have two?”

“Neither of you should be eating candy before lunch,” the father said. He said it with the good sport of a father who enjoys his kids and gets a kick out of saying Dad things.

“You mean dinner,” said the girl. “It will be dinner before we get to Pete’s.”

* * *

Only the northbound lanes were stopped. Southbound traffic flashed past at the normal speed.

“Check it out,” the boy said from the back seat. “Did you see the bumper sticker on that Porsche? ‘If you don’t like the way I drive, stay off the sidewalk.’ “

He spoke directly to his sister. “I’ve just solved my Christmas shopping.”

“I got the highest score in my class in Driver’s Ed,” she said.

“I thought I would let your sister drive home today,” the father said.

From the back seat came sirens, screams for help, and then a dirge.

The girl spoke to her father in a voice rich with complicity. “Don’t people make you want to give up?”

“Don’t the two of you know any jokes? I haven’t laughed all day,” the father said.

“Did I tell you the guillotine joke?” the girl said.

“He hasn’t laughed all day, so you must’ve,” her brother said.

The girl gave her brother a look you could iron clothes with. Then her gaze dropped down. “Oh-oh,” she said, “Johnny’s out of jail.”

Her brother zipped his pants back up. He said, “Tell the joke.”

* * *

“Two Frenchmen and a Belgian were about to be beheaded,” the girl began. “The first Frenchman was led to the block and blindfolded. The executioner let the blade go. But it stopped a quarter inch above the Frenchman’s neck. So he was allowed to go free, and ran off shouting, ‘C’est un miracle! C’est un miracle!’ “

“It’s a miracle,” the father said.

“Then the second Frenchman was led to the block, and same thing—the blade stopped just before cutting off his head. So he got to go free, and ran off shouting, ‘C’est un miracle!’

“Finally the Belgian was led to the block. But before they could blindfold him, he looked up, pointed to the top of the guillotine, and cried, ‘Voila la difficulté!’

She doubled over.

“Maybe I would be wetting my pants if I knew what that meant,” the boy said.

“You can’t explain after the punchline,” the girl said, “and have it still be funny.”

“There’s the problem,” said the father.

* * *

The waitress handed out menus to the party of three seated in the corner booth of what used to be the lube bay. She told them the specialty of the day was Moroccan chicken.

“That’s what I want,” the boy said. “Morerotten chicken.”

But he changed his order to a Studeburger and fries after his father and sister had ordered.

“So,” the father said, “who misses music lessons?”

“I’m serious about what I asked you last week,” the girl said. “About switching to piano? My teacher says a real flutist only breathes with the stomach, and I can’t.”

“The real reason she wants to change,” said the boy, “is her waist will get two inches bigger when she learns to stomach-breathe. That’s what else her teacher said.”

The boy buttered a piece of sourdough bread and flipped a chunk of cold butter onto his sister’s sleeve.

“Jeezo-beezo,” the girl said, “why don’t they skip the knife and fork and just set his place with a slingshot!”

“Who will ever adopt you if you don’t mind your manners?” the father said. “Maybe we could try a little quiet today.”

“You sound like your tombstone,” the girl said. “Remember what you wanted it to say?”

Her brother joined in with his mouth full: “Today will be a quiet day.”

“Because it never is with us around,” the boy said.

“You guys,” said the father.

* * *

The waitress brought plates. The father passed sugar to the boy and salt to the girl without being asked. He watched the girl shake out salt onto the fries.

“If I had a sore throat, I would gargle with those,” he said.

“Looks like she’s trying to melt a driveway,” the boy offered.

The father watched his children eat. They ate fast. They called it Hoovering. He finished while they sucked at straws in empty drinks.

“Funny,” he said thoughtfully, “I’m not hungry any more.”

Every meal ended this way. It was his benediction, one of the Dad things they expected him to say.

“That reminds me,” the girl said. “Did you feed Rocky before we left?”

“Uh-uh,” her brother said. “I fed him yesterday.”

“I fed him yesterday!” the girl said.

“Okay, we’ll compromise,” the boy said. “We won’t feed the cat today.”

“I’d say you are out of bounds on that one,” the father said.

He meant you could not tease her about animals. Once, during dinner, that cat ran into the dining room shot from guns. He ran around he table at top speed, then spun out on the parquet floor into a leg of the table. He fell over onto his side and made short coughing sounds.

“Isn’t he smart?” the girl had crooned, kneeling beside him. “He knows he’s hurt.”

* * *

For years, her father had to say that the animals seen on shoulders of roads were napping.

“He never would have not fed Homer,” she said to her father.

“Homer was a dog,” the boy said. “If I forgot to feed him, he could just go into the hills and bite a deer.”

“Or a Campfire Girl selling mints at the front door,” their father reminded them.

“Homer,” the girl sighed. “I hope he likes chasing sheep on that ranch in the mountains.”

The boy looked at her, incredulous.

“You believed that? You actually believed that?”

In her head, a clumsy magician yanked the cloth and the dishes all crashed to the floor. She took air into her lungs until they filled, and then she filled her stomach, too.

“I thought she knew,” the boy said.

The dog was five years ago.

“The girl’s parents insisted,” the father said. “It’s the law in California.”

“Then I hate California,” she said. “I hate its guts.”

The boy said he would wait for them in the car, and left the table.

“What would help?” the father asked.

“For Homer to be alive,” she said.

“What would help?”

“Nothing.”

“Help.”

She pinched a trail of salt on her plate.

“A ride,” she said. “I’ll drive.”

* * *

The girl started the car and screamed, “Goddammit.”

With the power off, the boy had tuned in the Spanish station. Mariachis exploded on ignition.

“Dammit isn’t God’s last name,” the boy said, quoting another bumper sticker.

“Don’t people make you want to give up?” the father said.

“No talking,” the girl said to the rear-view mirror, and put the car in gear.

She drove for hours. Through groves of eucalyptus with their damp peeling bark, past acacia bushes with yellow flowers pulsing off their stems.She cut over to the coast route and the stony grey-green tones of Inverness.

“What you’d call scenic,” the boy tried.

Otherwise they were quiet.

* * *

No one said anything else until the sky started to close, and then it was the boy again, asking shouldn’t they be going home.

“No, no,” the father said, and made a show of looking out the window, up at the sky and back at his watch. “No,” he said, “keep driving—it’s getting earlier.”

But the sky spilled rain, and the girl headed south towards the bridge. She turned on the headlights and the dashboard lit up green. She read off the odometer on the way home: “Twenty-six thousand, three hundred eighty three and eight-tenths miles.”

“Today?” the boy said.

* * *

The boy got to Rocky first. “Let’s play the cat,” he said, and carried the Siamese to the upright piano. He sat on the bench holding the cat in his lap and pressed its paws to the keys. Rocky played “Born Free.” He tried to twist away.

“Come on, Rocky, ten more minutes and we’ll break.”

“Give him to me,” the girl said.

She puckered up and gave the cat a five-lipper.

“Bring the Rock upstairs,” the father called. “Bring sleeping bags, too.”

Pretty soon three sleeping bags formed a triangle in the master bedroom. The father was the hypotenuse. The girl asked him to brush out her hair, which he did while the boy ate a tangerine, peeling it up close to his face, inhaling the mist. Then he held each segment to the light to find seeds. In his lap, cat paws fluttered like dreaming eyes.

“What are you thinking?” the father asked.

“Me?” the girl said. “Fifty-seven T-bird, white with red interior, convertible. I drive it to Texas and wear skirts with rick-rack. I’m changing my name to Ruby,” she said, “or else Easy.”

The father considered her dream of a checkered future.

“Early ripe, early rot,” he warned.

A wet wind slammed the window in its warped sash, and the boy jumped.

“I hate rain,” he said. “I hate its guts.”

The father got up and closed the window tighter against the storm. “It’s a real frog-choker,” he said.

In darkness, lying still, it was no less camp-like than if they had been under the stars singing to a stone-ringed fire burned down to embers.

They had already said good-night some minutes earlier when the boy and girl heard their father’s voice in the dark.

“Kids, I just remembered—I have some good news and some bad news. Which do you want first?”

It was his daughter who spoke. “Let’s get it over with,” she said. “Let’s get the bad news over with.”

The father smiled. They are all right, he decided. My kids are as right as this rain. He smiled at the exact spots he knew their heads were turned to his, and doubted he would ever feel—not better, but more than he did now.

“I lied,” he said. “There is no bad news.”

  ***

This story appeared in the Summer edition of the Missouri Review in 1985. Copyright by Amy Hempel.

All rights reserved

The Best Written Words For The Worst Shitty Days: Poem “Interview”

Poem Interview by Manuel Bandeira

Life that dies that subsists

fickle, ludicrous, grasping, vile

defiled !

           If some reporter one day

asks me:

           “What is the most lovely thing you find

in this thankless world?”

                                   I won’t hesitate; I’ll

tell him:

                                   “Most lovely?

I don’t know. But the saddest by a mile -

the saddest is a woman -

any woman with child.”

                                                           ***

From the book ”This Earth, That Sky: Poems“ published by University of California Pr (c) (April 1989).

All rights reserved

The Blues hit my heart
Today, like a rout of wild gluttons.
And it made me wonder to my buttons:
How did I make this far?

A.F.

The Best Written Words For The Worst Shitty Days: Short Story “Little Things”

Little Things by Raymond Carver     

Early that day the weather turned and the snow was melting into dirty water. Streaks of it ran down from the little shoulder-high window that faced the backyard. Cars slushed by on the street outside, where it was getting dark. But it was getting dark on the inside too.

He was in the bedroom pushing clothes into a suitcase when she came to the door.

I’m glad you’re leaving! I’m glad you’re leaving! she said. Do you hear?

He kept on putting his things into the suitcase.

Son of a bitch! I’m so glad you’re leaving! She began to cry. You can’t even look me in the face, can you?

Then she noticed the baby’s picture on the bed and picked it up.

He looked at her and she wiped her eyes and stared at him before turning and going back to the living room.

Bring that back, he said.

Just get your things and get out, she said.

He did not answer. He fastened the suitcase, put on his coat, looked around the bedroom before turning off the light. Then he went out to the living room.

She stood in the doorway of the little kitchen, holding the baby.

I want the baby, he said.

Are you crazy?

No, but I want the baby. I’ll get someone to come by for his things.

You’re not touching this baby, she said.

The baby had begun to cry and she uncovered the blanket from around his head.

Oh, oh, she said, looking at the baby.

He moved toward her.

For God’s sake! she said. She took a step back into the kitchen.

I want the baby.

Get out of here!

She turned and tried to hold the baby over in a corner behind the stove.

But he came up. He reached across the stove and tightened his hands on the baby.

Let go of him, he said.

Get away, get away! she cried.

The baby was red-faced and screaming. In the scuffle they knocked down a flowerpot that hung behind the stove.

He crowded her into the wall then, trying to break her grip. He held on to the baby and pushed with all his weight.

Let go of him, he said.

Don’t, she said. You’re hurting the baby, she said.

I’m not hurting the baby, he said.

The kitchen window gave no light. In the near-dark he worked on her fisted fingers with one hand and with the other hand he gripped the screaming baby up under an arm near the shoulder.

She felt her fingers being forced open. She felt the baby going from her.

No! she screamed just as her hands came loose.

She would have it, this baby. She grabbed for the baby’s other arm. She caught the baby around the wrist and leaned back.

But he would not let go. He felt the baby slipping out of his hands and he pulled back very hard.

In this manner, the issue was decided.

                                                           ***

“Little Things” from Where I’m Calling From: The Selected Stories Atlantic Monthly Press, 1988. Copyright © 1988 by Tess Gallagher.

The story appeared as “Mine” in Furious Seasons And Other Stories Capra Press, 1977 and as “Popular Mechanics” in What We Talk About When We Talk About LoveKnopf, 1981.

All rights reserved

all write is a blog by alex ferreira. it is in fact a continuation of his why write? blog.